
I liked two
Faber Castell Big Brush Artist Pen features from the start: unlike the original
Pitt artist brush pen the name and number of the color were both printed on the pen body, and they were manufactured in
Peru. Thus it's easier to tell them apart and they come from the legendary country of the
Incas and
Machu Picchu.

I like the flexibility and organization afforded by the wallet sets. Making the 4-color palettes easy to find and for customizing portable sketching kits according to subject and mood. Since the original
Pitt Artist brush pens are not clearly labeled with the name of each color, it's easy to get them mixed up especially in the larger boxed set. The
Big Brush 4 pens-wallet sets are particularly handy for doodling quickly on the go. The
Skin Tones set can be particularly useful for coloring caricatures, portraits, and figures. The boxed set of 48 original
Pitt Art brush pens fits well in any studio. The original
Pitt Brush and
Big Brush formats complement each other well. The
manufacturer's website does recommend
that pens should be stored horizontally for best results.

Color chart of the
Pitt Artist Pens sets on white
Lama Li sketchbook laid paper. The first thing that struck me about the ink in the
Big Brush Pitt Artist pens was that it seemed to be so much darker than the same colored original
Pitt Artist brush pen. In general the original
Pitt Artist Brush Pens' inks looked paler than the ink of their corresponding colors in the
Big Brush Pens format. The
Big Brush pens feel very juicy and lay down intense rich colors. In order to achieve the same intensity of the
Big Brush Pink Carmine and
Dark Phthalo Green pens with the smaller brush pens required layering at least 2 coats on top of each other.

Color chart of the
Pitt Artist Pens sets on white sketchbook paper. Even though each set comes packaged with a chart of the full
Pitt color range, it is always a good idea to paint your own color chart to get an accurate reference of how the
Pitt colors will actually show on its intended support and to get some practice time using the larger brush nibs. These pigmented inks worked great since they dry quickly on top of the surface of the paper without seeping through it. Even with 5 coats of black 199, the ink did not bleed through on this thin white sketchbook paper. Each color swatch was done with one coat on top and 3 coats on the bottom to show the intensity range that can be achieved with each pen.

Note that the combined six wallet sets of
Big Brush pens contain 3 Black pens and 2 Cold Grey IV pens, so you might want to wait for the boxed set if you want 24 different colors in your palette set. Since I actually prefer having the extra black and grey pens, I chose all 6 sets and simply ordered an extra loose Cinnamon pen to widen my skin tones palette.

So far, I am pretty happy with the performance of the
Faber-Castell Pitt Big Brush Artist Pens for quickly filling in a coloring outline and for sketching boldly.